Erotische Aktfotografie einer Frau, die im Aufzug posiert – zwischen Stahl, Haut und Spannung.

AUFZUG IM BRANDFALL NICHT BENUTZEN - Image 2

AUFZUG IM BRANDFALL NICHT BENUTZEN - Image 4

AUFZUG IM BRANDFALL NICHT BENUTZEN - Image 5

AUFZUG IM BRANDFALL NICHT BENUTZEN - Image 6

Collectors Edition certificate of authenticity

€ 500,00 – € 6.700,00 incl. VAT, plus shipping

incl. VAT zzgl. Versandkosten

Size

Clear

Free shipping from: EU 150€ – Non-EU 200€ – World 250€ – USA 500€.
Details

Flashpoint in the Elevator

Limited erotic fine art photography.

The elevator’s stuck. Your pulse takes the express.

Technical Details

Image size: corresponds to the selected format (see “Sizes & Editions”)
Print: Pigment print on Hahnemühle FineArt Baryta 325 g
Large format: from 100 × 150 cm as Lambda on KODAK Endura (mounted on Alu-Dibond)
Authenticity: hand-signed, numbered, with Certificate of Authenticity (COA)
Framing: optional; museum acrylic recommended (up to 99 % UV protection)

Want more? Explore these categories too:

“Every time it’s a great joy — and a true highlight — to see and own your photographic artworks. There are very few who capture feminine beauty as sensitively, elegantly, and timelessly as you do.”

Johann aus Ilz

Product Details

“Do Not Use the Elevator in Case of Fire” is a contemporary erotic fine art photograph, produced as a pigment print on Hahnemühle FineArt Baryta paper (325 g) — maximum depth, contrast, and detail. From 100 × 150 cm the work is made as a Lambda print on KODAK Endura paper mounted on Alu-Dibond — brilliant, durable, and uncompromising in quality.

Each print is hand-signed, numbered, and accompanied by a Certificate of Authenticity. No reprints. No special runs. A true collector’s piece of fine art nude photography.

Price Logic of the Limitation

Prices rise with availability — the first print is always the most affordable. As more editions are sold, the price increases, further underlining rarity and collector value. The fewer works remain, the more valuable each one becomes.

More works from the Collector’s Edition. Background reading: How limited editions work.

Sizes & Editions

30 × 40 cm — Edition of 11 / 3 AP
40 × 60 cm — Edition of 9 / 3 AP
50 × 70 cm — Edition of 7 / 3 AP
70 × 100 cm — Edition of 5 / 2 AP
100 × 150 cm — Edition of 3 / 1 AP
120 × 180 cm — Edition of 3 / 1 AP

Each size has its own finite edition. No reprints, no special editions.

Shipping, Packaging & Customs

Worldwide shipping is free. Every work is professionally packed, fully insured, and shipped directly from the studio. All items are packed neutrally and discreetly — with no visible hint of the contents.

For deliveries outside the European Union, additional duties, import charges, or taxes may apply. These costs are not included in the purchase price and are payable by the recipient.

Art knows no borders — but sometimes, unfortunately, forms. Don’t let that stop you — perhaps start with something smaller: SIGNED.FRAMED.ICONIC. — 199 pieces, framed, signed, online for four weeks. Then gone. Or warm up with the photo books.

No Fire Extinguisher in Sight

The door is steel; the skin’s on fire. The elevator is just a backdrop — her body tells the story. One leg braced into the corner, the other leaning against nothing. Erotic photography, as blunt as a dirty joke in a room full of suits. The gaze is hard, the tattoo speaks of freedom. There’s no safety distance here — the picture comes so close you can feel the cold metal. Eroticism that doesn’t whisper but hammers on the door. This elevator doesn’t go up. It only goes deeper, and deeper.

The warning sign “Do not use” becomes the punchline. She uses everything — the space, the light, your imagination. Hand to her brow as if choosing which floor hell is on. Spoiler: she’s already there.

High heels click on the metal floor even when she stands still. Every heartbeat an echo in this steel coffin. The elevator is broken, but she works perfectly. Standing between floors, between worlds, between what you think and what you won’t admit.

Cold metal crawls under the skin, but she stays hotter than anything else. The elevator is a cage, but she’s no bird. She’s the predator waiting for the doors to open.

Then it’s too late to get out.

Framing Options

A premium frame isn’t an accessory — it’s part of the work. For “Do Not Use the Elevator in Case of Fire” we recommend a precise, minimal presentation that echoes the scene’s metal contrast and concentrates the image’s impact — no glare, no color cast, maximum sharpness.

Materials & Protection: Museum-grade acrylic (up to 99% UV protection), optionally with anti-reflective surface for critical light. Acid-free backing, precise spacing — the surface stays free, the print breathes.

Frame Variants: Black anodized aluminum with a narrow sightline for a strict, timeless look — or a shadow-gap frame (black/dark oak) for more depth and a crisp float. Passepartout optional, conservation grade only.

Build & Hanging: Flush-mounted on Alu-Dibond, dust-sealed, rear hardware pre-installed. Stable, repeatable, gallery-ready. Exact to format, custom on request.

Value & Care: Avoid direct sun; dust with microfiber (don’t dry-wipe acrylic; use appropriate cleaner). Framing amplifies presence and marketability — something collectors value.