MOLECULE

Limited contemporary nude photography fine art photography – signed & numbered.

This isn’t a flirt. It’s form.

The room is empty so you see nothing but her.

The price rises with availability. Buying early is logic, not romance.

Technical Details

Image size: matches the chosen format (see “Formats & Editions”)
Print: pigment print on Hahnemühle FineArt Baryta 325 g
Large format: from 100 × 150 cm as a Lambda print on KODAK Endura (mounted on aluminum Dibond)
Authenticity: hand-signed, numbered, with certificate of authenticity (COA)
Framing: optional; museum acrylic (UV protection up to 99%) recommended

“It’s a great joy every single time — and a real highlight — to see and own your photographic artworks. There are very few who capture female beauty with such sensitivity, elegance, and timelessness as you do.”

Johann aus Ilz

Product details

“MOLECULE” is a limited contemporary nude photography work from the Collector’s Edition. Printed as a pigment print on Hahnemühle FineArt Baryta paper (325 g) with maximum detail. From 100 × 150 cm as a Lambda print on KODAK Endura, mounted on aluminum Dibond — durable, brilliant, signed, numbered, and with certificate of authenticity. Worldwide shipping is free.

Formats & Editions

30 × 40 cm – Edition of 11 / 3 AE
40 × 60 cm – Edition of 9 / 3 AE
50 × 70 cm – Edition of 7 / 3 AE
70 × 100 cm – Edition of 5 / 2 AE
100 × 150 cm – Edition of 3 / 1 AE
120 × 180 cm – Edition of 3 / 1 AE

Pricing logic of the edition

Prices rise with availability — the first print is always the cheapest. The fewer copies remain, the more valuable each piece becomes.
More works from the Collector’s Edition.

A sentence with no exit

Sometimes a sentence is enough. No period. No explanation. This is one of those. White turns everything into paper. Black writes on it. And you read, even if you don’t want to.

Contemporary nude photography often gets softened until it doesn’t bother anyone. This image bothers. Not with provocation, but with reduction. Less gives you fewer escape routes. No face, no story, no “mood” set. Just structure.

The curve beneath holds the moment like a clamp. Tension spreads through arms and back, as if stillness were work. The body reads like a sign, not an invitation. That’s the difference between looking and consuming.

With editions, “later” is not a promise. Every size is finite. The price rises with availability, because math is harder than hope. If you want it, take it. If not, you’re left with one word: “sold out.”

Framing options

If you want it framed: do it right. No cheap glass that reflects and kills everything.

Museum acrylic with UV protection (up to 99%) is recommended. Fewer reflections, more depth, less risk. Especially with large formats.

Mat, shadow gap, frame color — that’s taste. The effect stays: calm, clear, uncompromising. If you need help: write to me, I’ll tell you what fits the piece.

Shipping, packaging & customs

Worldwide shipping is free. Each work is professionally packaged, insured, and shipped directly from the studio. All items are shipped neutral and discreet — with no visible indication of the contents. Deliveries outside the European Union may incur additional customs duties, import charges, or taxes. These costs are not included in the purchase price and must be paid by the recipient.

FAQ & contact

Questions about formats, editions, framing, or shipping? Write to me directly: hello@martin-wieland-arts.com

New work, drops, and insights land there first: Newsletter

MOLECULE