Why printed photographic art remains – and the rest disappears
One pixel cluster among millions
Most photos don’t survive. Saved, shared, liked – and forgotten. A pile of pixels among millions.
A picture on the wall is different. It hangs there. Always. It stares at you when you enter the room. It stays, even if you don’t feel like looking at it.
Digital images are easy. One click. One more. Ten more. Everything fits in the cloud.
But a printed work? That weighs a lot. It needs space. It forces you to choose: Exactly this motif – every day, for years.
The wall forgives nothing.
No “that’s fine”. No “will do”. She wants something that lasts. That’s why my pictures are not created for quick consumption. Limited fine art photography – Hahnemühle Baryta, hand-signed, numbered. Made to last.
Fittingly: Why limited editions (usually) have more value.
A daily counterpart instead of fleeting images…”
A daily counterpart instead of fleeting images
When you buy, you don’t just buy a motif. They are buying a daily counterpart. Something that is stronger than the rest in the room.
Just like the Collector’s Edition – or its little, outrageous brother: SIGNED.FRAMED.ICONIC.
Erotic photography in its purest form.
The cell phone pictures can travel on.
This remains.
